Apr 272010
 

Collection, Powerhouse Museum

I thought I’d share with you a few more photographs of the puppets that were made by Australian artist George Gittoes, with the help of his mother Joyce Gittoes, around 1970. The group relates to an earlier acquisition of material which includes a recreation of the Puppet Theatre.

This amazing collection of puppets was acquired recently as a donation under the Commonwealth Government’s Cultural Gifts Program. The puppets belong to a larger group of works called theGeorge and Joyce Gittoes Yellow House Puppet Theatre collection which includes a collection of 13 puppets, 3 framed gouache and texta paintings, 5 ceramic sculptures by Gorge Gittoes and his mother Joyce Gittoes (I’ll blog about these remarkable works next time) and Gittoes cathartic set of 24 Hotel Kennedy suite etchings of the late 1960s. The handmade puppets are amazingly theatrical works which encapsulate Gittoes early interest in story telling through drama, live action and theatre, a passion and obsession which has led the artist to some of the most dangerous and remote parts of the world in recent years. All of the puppets are two sided and many, like the Joy Hester and Albert Tucker puppet from George’s ‘Artist’s wives’ series, are two faced and their liquid polystyrene profiles are often quite scary.

One of my favourite puppets from the recently acquired series, is what I refer to as George’s ‘Big Bird’ puppet. Made of soft stuffing in an oil painted canvas bird shape, it has wide outstretched wings and long skinny legs, with two loops on each wing for the puppeteers directional sticks. A loop behind the head has fishing line attached for hanging the puppet to display. This remarkable bird was designed and made by Gittoes in Sydney between 1968 and 1972.

Gittoes is now an internationally renowned activist and documentary filmmaker. His latest film ‘The Miscreants of Talliwood’ which was filmed in the Peshawah area of Pakistan, has just finished a successful showing at MoMA in New York.

During the showing, George featured as the daily ‘Connector’ on CNN’s ‘Connect the World’ blog. You can go read some of the questions that were thrown at George on that day if you go to the CNN blog.

New Acquisitions Obj No: 2009/68/1 George and Joyce Gittoes Yellow House Puppet Theatre collection and Hotel Kennedy suite of etchings, made and designed by George Gittoes and his mother Joyce Gittoes, New York, USA and Sydney, NSW, Australia

http://www.powerhousemuseum.com/insidethecollection/2010/04/puppetry-and-george-gittoes/

Apr 152009
 

Photography by Anne-Marie Van de Ven © Powerhouse Museum, all rights reserved

Recently I was invited to visit the studio of Australian artist and filmmaker, George Gittoes to inspect his collection of Yellow House Puppet Theatre puppets paintings, ceramics and etchings. Today Gittoes is an internationally renowned filmmaker, but in the Sixties, he was a co-founder of the Yellow House, one of the most colourful contributions to the hippy/psychedelic era in Australia during the late 1960s and early 1970s. This art house opened to the public on April’s Fools Day 1970.

I took this photo of George with one of his puppets during the inspection when George became very animated as he described the puppets one by one. His ‘God / Apollo / Zeus’ puppet is modelled in liquid polystyrene foam (a technique Gittoes mastered while making surf boards) and painted with oils. Gittoes, who loved diving underwater, modelled God to look like the Barrier Reef.

Keep posted for more information about George’s remarkable Yellow House collection of artworks as they enter the Powerhouse Museum collection during the year. As this is my very first curatorial post, I’m looking forward to sharing more of my remarkably diverse curatorial activities as the year progresses.

Published on April 15, 2009 by Anne-Marie Van de Ven

http://www.powerhousemuseum.com/insidethecollection/2009/04/george-gittoes/